Best digital cameras
Best lenses
Best lenses
- Canon EF 24-70mm f2.8L
- Canon EF 70-200mm f2.8L
- Canon EF 24-105mm f4L IS
- Canon EF 85mm f1.8 USM
- Canon EF 100mm f2.8L IS
- Canon EF 50mm f1.8 II
- Canon EF 50mm f1.4 USM
- Canon EF-S 55-250mm
- Canon EF 50mm f1.2 L
- Canon EF 24mm f1.4L
- Canon EF 85mm f1.2L II
I need help deciding between some lenses!?
I need to go cheap on lenses.
I have a canon eos rebel xsi
I am considering buying
sigma 24-70mm f3.5/5.6
tamron 28-200mm f3.8/5.6
canon ef 50mm f1.8 ii
could you give me reviews on these lenses or tell
Categories
Canon EF 50mm f1.8 II
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Canon EF 50mm f1.8 II Video Review
At a mere 4.6 oz. (130g), this is one of the lightest EF lenses out there. It's a compact...
Best Prices for Canon EF 50mm f1.8 II on eBay
| Image | Product | Bids | Price | Time Left |
 |  Canon Normal EF 50mm 1.8 f/1.8 II Autofocus Lens for Canon XSi T2i T3 60D 5D 7D | $114.80 | 20d 16h 9m | |
 | Canon 50mm Lens EF 1:1.8 II Autofocus f/1.8 | Bids: 17 | $71.00 | 1d 23h 28m |
 | Canon EF 50mm f/1.8 II Lens for 550D 600D 60D 7D Rebel XSI XTi T1i T2i T3i 50D | Bids: 9 | $89.69 | 20h 7m |
 | Canon EF 50mm f/1.8 II Lens 50 f1.8 for 7D 60D 5D Mark II II Rebel T2i T3i ~NEW | $109.99 | 25d 7h 54m | |
 | Canon EF 50 mm F/1.8 II Lens (Region:US) | Bids: 13 | $46.00 | 1d 16h 6m |
 | Canon EF 50 mm F/1.8 II Lens (Region:US) | Bids: 6 | $66.00 | 14h 17m |
 | Canon EF 50mm f/1.8 II Autofocus Lens(500d 550d 60d 7d) | $110.99 | 16d 11h 41m | |
 | Canon EF 50mm f/1.8 II Lens 60D 7D 5D 1D 1Ds Excellent Cond | Bids: 16 | $74.97 | 2d 7h 58m |
Triple Optics – 057/365
In my equipment bag that I carry in these three objectives. On the left is the standard EFS 18-55mm "lens" kit comes with Canon's Digital Rebels. This is the newer model with the IS feature, and I also have an older one that came with my first rebel in 2003. There is the EF 50mm F1.8 II, also known as the fifty "Nifty," a prime lens cheap with an opening large fine for the price. Finally there is the EF 55-200mm f/4.5-5.6 II USM, a long-relatively inexpensive to pull in distant subjects.
For the configuration it has used panels of white foam as the base and backdrop. I am the light of halogen lamps bounces off the walls behind the subject on the right camera and left camera. Transfer the object to the camera left, I have a Speedlite to 1 / 4 shot through a hoop with a white cloth draped over him.
Damn ... I turn the light through a hoop.